ELVIS WEEK 2007

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BROCHURE

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Quote:

"Elvis Presley is the greatest cultural force in the 20th century."

(Leonard Bernstein)


Quote:

"If you're an Elvis fan, no explanation is necessary; If you're not an Elvis fan, no explanation is possible."

(George Klein)


Quote:

"For a dead man, Elvis Presley is awfully noisy."

(Professor Gilbert B. Rodman)


 

Quote:

"Absolute id crashed into absolute superego...as the uptightset man in America shook hands with just about the loosest."

(Mark Feeney on the 'Elvis meets Nixon' meeting)


Quote:

"Elvis is everywhere"

(Mojo Nixon & Skid Roper)


Quote:

"...especially in the South, they talk about Elvis and Jesus in the same breath"

(Michael Ventura, LA Weekly)


Quote:

"The image is one thing and the human being is another...it's very hard to live up to an image"

 

(Elvis Presley, Madison Square Garden press conference, 1972)


Quote:

"Elvis was a major hero of mine. I was actually stupid enough to believe that having the same birthday as him actually meant something"

(David Bowie)


Quote:

"No-one, but no-one, is his equal, or ever will be. He was, and is supreme"

(Mick Jagger)


Quote:

"I wasn't just a fan, I was his brother...there'll never be another like that soul brother"

(Soul legend, James Brown)


Quote:

"Before Elvis there was nothing!"

(John Lennon)


Quote:

"There were rock 'n' roll records before Heartbreak Hotel, but this was the one that didn't just open the door…it literally blasted the door off its rusted, rotten, anachronistic hinges...producing, no propelling, a fundamental, primordial and unstoppable shift in not only musical, but social, political and cultural history"

(JNP, BBC website)


Quote:

"Elvis, the musician, is largely a relic belonging to the baby boomer generation...Elvis, the icon, is arguably one of the most potent symbols of popular culture"

( Dr. John Walker)


Quote:

"It [rock & roll] was always about Elvis; not just because he was Elvis, but because he was the big star"

(Bono from U2)


Quote:

"If they had let me on white radio stations back then, there never would have been an Elvis"

(Little Richard)


Quote:

"Elvis loved opera, and he especially liked Mario Lanza. He would watch The Student Prince which was set in Heidelberg, over and over again. He loved the power of the big voices. And he loved big orchestras. He liked real dramatic things"

(Marty Lacker in 'Elvis and the Memphis Mafia')


Quote:

"If life was fair, Elvis would be alive and all the impersonators would be dead"

(Johnny Carson)


Elvis' #1 Pop Singles on Cashbox, USA:

Heartbreak Hotel (1956)

Don't Be Cruel (1956)

Hound Dog (1956)

Love Me Tender (1956)

Too Much (1957)

All Shook Up (1957)

Teddy Bear (1957)

Jailhouse Rock (1957)

Don't (1958)

Stuck On You (1960)

It's Now Or Never (1960)

Are You Lonesome Tonight? (1960)

Surrender (1961)

Good Luck Charm (1962)

Return To Sender (1962)

In The Ghetto (1969)

Suspicious Minds (1969)

Burning Love (1972)

(The Cashbox chart is now defunct)


Elvis Facts:

Elvis was 5' 11" tall

 

Elvis' natural hair color was dark blond

 

Elvis' blood type was O Positive

 

Elvis' shoe size was 11D

 

One of Elvis'( maternal) ancestors, Morning White Dove (born 1800, died 1835), was a full-blooded Cherokee Indian

 

Elvis' uncle, Noah Presley, became Mayor of East Tupelo on January 7, 1936

 

The Presley family moved to Memphis on November 6, 1948

 

Elvis was issued a Social Security card in September 1950 with the # 409-52-2002

 

In 1954 some of the shows played by Elvis & The Blue Moon Boys were at the Overton Park Shell; the Bel-Air Club; Sleepy-Eyed John's Eagle's Nest Club and the Louisiana Hayride

 

Elvis' first manager was Scotty Moore, then Bob Neal, before signing with Colonel Tom Parker

 

The first DJ to play an Elvis record was Fred Cook (WREC), not Dewey Phillips (WHBQ). However, Dewey had the distinction of being the first DJ to play an Elvis record in its entirety

 

Elvis once dated famous stripper, Tempest Storm

 

Elvis was filmed from the waist up only during his 3rd and final appearance on The Ed Sullivan Show

 

In the 50s Elvis was friendly with rising stars, Natalie Wood, Robert Wagner and Ty (Bronco Lane) Hardin

 

Gladys Presley was 46 years old when she died, not 42, as many books suggest

 

The Roustabout album sold 450,000 copies on its initial release, 150,000 copies more than any of the preceding three soundtrack LPs. It was Elvis' last "soundtrack" album to reach #1 on the major album charts in the US

 

Elvis received $1m for filming Harum Scarum (aka Harum Holiday). The film grossed around $2m in the US

 

Elvis and Priscilla married on May 1, 1967

 

They were officially divorced on October 9, 1973

 

Elvis earns nearly $3.5m in 1968 and pays just over $1.4m in income tax

 

Elvis' return to live performing in Las Vegas on July 31, 1969 was in front of an "by invitation only" audience. Stars in attendance included Wayne Newton, Petula Clark, Shirley Bassey, Burt Bacharach and Angie Dickinson

 

On January 9, 1971, the national Junior Chamber of Commerce (Jaycees) announced Elvis as one of "The Top Ten Young Men of the Year". Elvis spoke at the official awards ceremony on January 16

 

"Elvis: Aloha From Hawai" made entertainment history on January 14, 1973, when it was beamed around the world by satellite. In the Philippines it drew 91% of the audience, in Hong Kong 70%. The viewing audience was estimated at more than 1 billion

 

For his 4 week Hilton Vegas season in August 1973 Elvis received $610,000

Sales of Elvis' 1973 album, Raised On Rock, were less than 200,000 units on its initial release

 

Elvis paid $2,959,000 in income tax in 1973

 

In December 1976 Elvis was sworn in as a special deputy sheriff of Shelby County (Memphis) by Sheriff Gene Barksdale

 

Elvis' final live concert was in Indianapolis on June 26, 1977

When Elvis died, he and his father Vernon, were embroiled in an FBI investigation called Operation Fountain Pen

More than 1,500 books have been published about The King in more than 30 languages

 

At Dec 2005 Elvis' biggest selling album in the US is the budget priced, Elvis' Christmas Album, with accredited sales of 9 million units (fingers crossed it reaches 10 million to give Elvis his first "Diamond" award)

 

By early2006, Sony BMG's "collectors label", Follow That Dream, had released more than 50 Elvis CDs

 

During the 1980s, tour guides at Graceland stated that Elvis' biggest selling album (globally) was Moody Blue, with sales exceeding 14 million

 

While Sony BMG estimates Elvis' global sales exceed 1 billion, the company is unable to substantiate this figure. Accredited sales worldwide are estimated to be less than 400 million

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Elvis film & documentary screenings in Los Angeles, August 2006

FOR IMMEDIATE RELEASE

THE AMERICAN CINEMATHEQUE PRESENTS
SAND, SURF AND A SALUTE TO ELVIS AND A SING-ALONG SCREENING OF GREASE
AT THE AERO AND EGYPTIAN THEATRES
Featuring an In Person Appearance by Elvis' Hairdresser & Spiritual Advisor Larry Geller

August 5 - 16 at the Egyptian Theatre
August 19 - 20 at the Aero Theatre

HOLLYWOOD - The American Cinematheque presents a salute to Sand, Surf and Elvis onscreen, August 5 - 16 at the Egyptian Theatre and August 19 - 20 at the Aero Theatre as part of Mods and Rockers 2006. The 50's live on with our GREASE (1978, Paramount, 110 min.) Sing-A-Long Screening on August 20th at the Egyptian. Summer beach romps include THE GIRLS ON THE BEACH (with The Beach Boys), BEACH PARTY starring Annette Funicello and Frankie Avalon, Elvis Presley receives a week-long celluloid salute with such gems as JAILHOUSE ROCK, KING CREOLE, VIVA LAS VEGAS and offbeat Elvis documentaries culminating on the August 16th anniversary of his death.

On August 20th is our first ever sing-along screening of GREASE (1978, Paramount, 110 min.), starring John Travolta and Olivia Newton-John. The festival offers a chanceto catch up with films not on DVD including THE GIRLS ON THE BEACH, SURF PARTY with crooner Bobby Vinton ("Blue Velvet"), "Elvis" with Jonathan Rhys Meyers as Elvis and  ALTERED BY ELVIS (showing in a sneak preview) with the directors Jayce & Tiffany Bartok and Hairdresser/Spiritual Advsor to Elvis, Larry Geller In Person. Full festival details: www.ModsandRockers.com. Screenings are at the Lloyd E. Rigler Theatre at the historic 1922 Egyptian (6712 Hollywood Boulevard between Highland and Las Palmas) in Hollywood and/or at the Max Palevsky Theatre at the Aero Theatre (1328 Montana Ave) in Santa Monica. Tickets are available online at www.fandango.com.

Read EIN's review of Altered By Elvis

Saturday, August 5, 2006: Egyptian Theatre: The Saturday, August 5th program is a 7:30 PM Double Feature. First up is THE GIRLS ON THE BEACH, (1965, Paramount, 80 min.) directed by William Witney. "The jet action surf-set hits the beaches and captures a love-load of bikini beauties!" The girls from Alpha Beta need to raise a staggering amount of money to save their sorority house, so they plan a beauty contest and other fundraising activities. When three guys appear claiming to know The Beatles, the girls decide a benefit concert with the moptops would be the best bet at saving their sinking fortunes. Little do they know these bragging boys are full of hot air. Who will step in to save the day? Why, The Beach Boys (singing "Little Honda" and "Lonely Sea"), Leslie Gore and the post-Buddy Holly Crickets. Starring Martin West (LORD LOVE-A-DUCK), Noreen Corcoran, Ahna Capri (PAYDAY), Mary Mitchel (SPIDER BABY, DEMENTIA 13), Lana Wood (Natalie's sister) and Dick Miller as a grouchy bartender! NOT ON DVD!

Next on the same bill is BEACH PARTY, (1963, MGM/UA, 101 min.) directed by William Asher. The film responsible (some might say "guilty") of starting the whole beach movie cycle had this bizarre tagline: "The perfect summer when the urge meets the surge!" We suppose they had in mind the ocean waves as "the surge," but whatever could they have meant by "the urge"? Answering that question are hot-to-trot sand- and-surf-loving teens, Frankie Avalon, Annette Funicello, John Ashley, Jody McCrea. Reluctantly saddled with chaperoning the lovable kids are traumatized grown-ups Bob Cummings, Dorothy Malone and Morey Amsterdam ("The Dick Van Dyke Show"). With Harvey Lembeck in his first appearance as madman biker, Eric Von Zipper. Dick Dale and The Del Tones supply the music!

Sunday, August 6, 2006: Egyptian Theatre: The Sunday, August 6th program is a 7:30 PM Double Feature. First up is SKI PARTY, (1965, MGM/UA, 90 min.) directed by Alan Rafkin. It seemed only natural that strange mutations would evolve as the beach pictures continued in popularity at the drive-ins, and here we have the kids hitting the snowy slopes for their summer fun. Hard-up teen guys, Frankie Avalon and Dwayne Hickman (TV's "Dobie Gillis"), fearing they will continue to strike out with the objects of their affections, follow heartthrobs, Deborah Walley (GIDGET GOES HAWAIIAN) and Yvonne Craig (Batgirl from TV's original "Batman") when they depart on a ski trip. A bizarre subplot has Frankie and Dwayne taking a page from SOME LIKE

IT HOT as they dress up in drag to spy on their girls. In the meantime James Brown and His Famous Flames (!) perform mega-hit, "I Feel Good" and Leslie Gore sings her ever-popular perennial, "Sunshine, Lollipops and Rainbows."

Next on the same bill is SURF PARTY, (1964, 20th Century Fox, 68 min.). Director Maury Dexter (THE DAY MARS INVADED EARTH, MARYJANE) helmed this ultra-rare, ultra-low budget knock-off of American International's successful BEACH PARTY. Lead teens Bobby Vinton, Patricia Morrow and Jackie DeShannon (a then-regular on TV pop show "Shindig!" and soon to become a sixties pop idol herself) cavort on the beach to the sounds of The Routers (featuring Scott Walker!) and The Astronauts. Shot in colorful black-and-white with back-projected waves for that ultra-realistic beach ambience!  NOT ON DVD!

Thursday, August 10, 2006: Egyptian Theatre: The Thursday, August 10th program is a 7:30 PM Double Feature. First up is G.I. BLUES, (1960, Paramount, 104 min.) directed by Norman Taurog. Elvis Presley is Tulsa McLean, a G.I. stationed in Germany who becomes involved in a scheme with his buddies to melt the icy exterior of cabaret singer, Lili. But in the process our hero falls for the feisty chanteuse. Charismatic and sexy Juliet Prowse is the perfect match for Elvis in this early vehicle for the King before the movie formula became irreversibly set in stone. Elvis sings a lot of songs, including "Blue Suede Shoes," "G.I. Blues" and more. Co-starring Leticia Roman, Arch Johnson, Mickey Knox, Jeremy Slate.

Next on the same bill is ELVIS AND JUNE: A LOVE STORY, (2002, BCI Eclipse, 46 min.). Elvis had many loves including some of Hollywood's hottest stars.  But in the beginning he was just a young Southern boy looking for fun and romance.  He found both in 1955/6 in the shape of June Juanico a 17-year-old beauty queen from Biloxi with whom he couldn't help falling in love while on the cusp of the stardom that eventually broke up their relationship.  Before the break-up - June got Elvis "All Shook Up" to the point of pledging his undying troth. Director Stuart Goldman's charming documentary tells the whole story and features the earliest home movie footage of Elvis. On vacation in Biloxi with his Latest Flame - June in the faraway summer of 1956... Just before "Hound Dog" broke Elvis' career and (at the same time) June's dreams of marital bliss...

Friday, August 11, 2006: Egyptian Theatre: The Friday, August 11th program is a 7:30 PM Double Feature. First up is FLAMING STAR, (1960, 20th Century Fox, 91 min.). Elvis Presley is a halfbreed son to white father, Sam (John McIntire) and Kiowa mother, Neddy (the beautiful Dolores del Rio) on their isolated homestead. When hostilities break out with the Kiowas, the King is caught in the middle - who will he be loyal to?

Don Siegel (DIRTY HARRY) directs what many believe to be the King's best picture, with certainly his best-ever performance. Steve Forrest is Elvis' half-brother and Barbara Eden the girl who loves him (in a role originally earmarked for Barbara Steele!). With Karl Swenson, Richard Jaeckel, L.Q. Jones. Songs include "Flaming Star."

Opposite: DVD cover - Flaming Star

Next on the same bill is LOVE ME TENDER, (1956, 20th Century Fox, 89 min.)  directed by Robert D. Webb. In his debut film, Elvis plays the youngest of the four Reno Brothers, the elder three of which (Richard Egan, James Drury, William Campbell) go off to fight for the Confederacy when the Civil War breaks out. The King stays at home to look after the farm as well as Ma Reno (Mildred Dunnock). When big brother Egan is reported killed, his former heartthrob, Debra Paget, marries our hero. But the brothers, including Egan, return after the war, embittered outlaws complicating things for those wishing to live in peace. More great support from Bruce Bennett, Neville Brand and Robert Middleton. Elvis sings "Love Me Tender," "Poor Boy" and more.

Saturday, August 12, 2006: Egyptian Theatre: The Saturday, August 12th program is a 4:00 PM screening of "Elvis" (2005, CBS, 178 min.), directed by James Steven Sadwith. This highly acclaimed (6 Emmy nominations) mini-series was hailed by Presley insiders as being the best yet of the plethora of Presley TV dramas that have flooded the airwaves in the 29 years since the passing of Elvis. It's only aired once and is not yet on DVD. Jonathan Rhys Meyers stars as Elvis and projects the complex fusion of sexuality and naïve country-boy vulnerability to great effect - and a Golden Globe. Randy Quaid captured the canny manipulations of ex-carny "Colonel" Tom Parker whose svengali puppeteering engineered the rise of Elvis - yet also led indirectly to his tragic demise. Camryn Manheim and Robert Patrick flesh out poignant portrayals of the parents who cannot fathom the heights or depths their son will scale and sink to - yet love him unconditionally. The story takes us from the earliest days to the triumphant resurrection of his 1968 NBC comeback special.  A great place to help us remember Elvis that way. A remarkably powerful evocation of the legend. NOT ON DVD!  Note:  This TV mini-series will be shown in 2 sections. Part One: 4:00 pm- 5:30 pm.  Part Two: 5:45 pm-7:15 pm. Followed by a Q&A with Executive Producer Ilene Kahn-Power and (subject to availability) key cast members. No ticket purchase required, but there is a suggested minimum donation to the American Cinematheque of $10.

Following at 8:30 PM is a Double Feature. First up is JAILHOUSE ROCK, (1957, Warner Bros., 96 min.) directed by Richard Thorpe. Wow, the Colonel would never have let Elvis play a role like this later in his career. In his third film, Elvis is Vince Everett, a guy serving a term for manslaughter. His cellmate, Hunk Houghton (yikes!) played by Mickey Shaughnessy is a former country star who introduces him to the record business. Once the King is released from stir, he quickly rises to the top as a rock 'n roll singer. But will he remember those who got him there? Another of Elvis' best features slambang Leiber-Stoller songs, plus there's that jawdroppingly good "Jailhouse Rock" production number. Tragically, female lead and love interest, Judy Tyler died in a car accident just before the film was released. Elvis belts out the title tune as well as "Baby, I Don't Care" and more!

Next on the same bill is KING CREOLE, (1958, Paramount, 116 min.). Director Michael Curtiz (CASABLANCA) directs yet one more of The King's better films. Although the studio and The Colonel toned things down a bit, this adaptation of Harold Robbins' bestseller A Stone For Danny Fisher remains surprisingly good. Young New Orleans punk and high school dropout, Danny (Elvis) quits his busboy job and wrangles his way into performing a song in front of duly-stunned patrons. Before long, he is in demand and being pressured by mobster club owner, Maxie Fields (Walter Matthau) to sign an exclusive contract. Elvis once again receives grand support from such pros as Carolyn Jones, Dolores Hart (his leading lady in LOVING YOU and a future real-life nun!), Dean Jagger, Vic Morrow and Paul Stewart. Songs include the title ditty as well as "Hard Headed Woman," "Trouble" and more!

Sunday, August 13, 2006: Egyptian Theatre: The Sunday, August 13th program is a 7:30 PM Double Feature. First up is FOLLOW THAT DREAM, (1962, MGM/UA, 109 min.). Country folk, Elvis and pa, Arthur O'Connell, are travelling in the Florida boondocks with their poor family in tow when they run out of gas. Short on funds, the clan stake a claim to what seems to be unused land, but soon have corrupt state officials harassing them as well as gangsters scouting acreage for a casino. Pro director Gordon Douglas keeps things appropriately light-hearted and brings a charming tone to one of Elvis' fluffier early films. Co-starring Simon Oakland, Anne Helm, Jack Kruschen. Songs include: "Follow That Dream," "I'm Not The Marryin' Kind" and more.

Next on the same bill is KID GALAHAD, (1962, MGM/UA, 95 min.). Although it doesn't pack the same punch as the original starring Edward G. Robinson and Humphrey Bogart, Elvis Presley is well-cast as the naïve boy pushed into the boxing ring to enrich the pockets of his less-than-honest mentor manager Gig Young. Director Phil Karlson, like FOLLOW THAT DREAM helmer Douglas, was a tough guy director who cut his teeth on noir pictures (and went on to make the original WALKING TALL), but he obviously has his work cut out for him with the behind-the-scenes presence of The Colonel shaping the King's image. Karlson keeps things moving and surrounds Elvis with a great cast, including Lola Albright, Charles Bronson, Joan Blackman, Ned Glass and Robert Emhardt. Songs include: "I Got Lucky," "King Of The Whole Wide World" and more.

Wednesday, August 16, 2006: Egyptian Theatre: Elvis Memorial Tribute - The Wednesday, August 16th program is a 7:30 PM Double Feature. First up is VIVA LAS VEGAS, (1964, Warner Bros, 84 min.). George Sidney (PAL JOEY, BYE BYE BIRDIE) directs what is certifiably one of Elvis' better middle-period pictures. A great deal of the credit for it's exhilirating verve can also be laid at the feet of fiery leading lady, Ann-Margret, who is more than up to the challenge of going head-to-head with The King. Elvis arrives in Vegas trying to get his car ready for The Las Vegas Grand Prix. In the meantime, he does some courting of his distinctly hard-to-get co-star. Formula and fluff are the order of the day, but whenever these two are together, you don't mind. They are that good as a pair, especially at the knock-out finale where they perform the title tune, Elvis singing and Ann-Margret shimmying for all she's worth. The closest Elvis got to really rockin' in mid-sixties cinema. Elvis also sings Ray Charles' "What'd I Say," "Come On Everybody" and more. Ann-Margret smokes on the smoldering "Appreciation."

Next on the same bill is ALTERED BY ELVIS, (2006, 54 min.). An acclaimed documentary exploration of lives deeply and permanently affected by Elvis Presley. It follows those who have been impacted, mesmerized or fulfilled by Elvis - and even one childhood friend who claims to have been destroyed by the King of rock 'n' roll.  Among the subjects is Larry Geller who fulfilled a dual role in the court of the King.  He was Elvis' longtime hairdresser - and also the man who Elvis credits with being his spiritual advisor. (One of the more unusual hyphenates in Hollywood.) His devotion extended to styling Elvis' hair for his funeral... Husband & wife directing team Jayce & Tiffany Bartok use their film to illuminate both the phenomenon of worldwide Elvis obsession - and the broader topic of the impact of celebrity culture on ordinary people. Discussion in between films with ALTERED BY ELVIS directors Jayce Bartok & Tiffany Bartok - and with Larry Geller - Hairdresser/Spiritual Advisor to Elvis Presley.

 
Sunday, August 20, 2006: Egyptian Theatre: The Sunday, August 20th program is a 4:00 PM Sing-Along Screening of GREASE, (1978, Paramount, 110 min.). Pompadoured tough-guy John Travolta learns the meaning of true love, 1950's style, from summertime sweetheart Olivia Newton-John, with help from a fantastic supporting cast including Stockard Channing, Jeff Conaway, Eve Arden and Frankie Avalon. A soundtrack of wall-to-wall hits ("You're The One That I Want," "Hopelessly Devoted To You," "Look At Me, I'm Sandra Dee") in director Randal Kleiser's irresistible teen-dream of a movie musical. Our first screening of this incredible, "sing-along" print of the film.

Saturday, August 19, 2006: Aero Theatre: The Saturday, August 19th program is a 7:30 PM Double Feature. First up is BEACH PARTY, (1963, MGM/UA, 101 min.) directed by William Asher. The film responsible (some might say "guilty") of starting the whole beach movie cycle had this bizarre tagline: "The perfect summer when the urge meets the surge!"  We suppose they meant the ocean waves as "the surge," but whatever could they have meant by "the urge?" Answering that question are hot-to-trot sand- and-surf-loving teens, Frankie Avalon, Annette Funicello, John Ashley, Jody McCrea. Reluctantly saddled with chaperoning the lovable kids are traumatized grown-ups Bob Cummings, Dorothy Malone and Morey Amsterdam ("The Dick Van Dyke Show"). With Harvey Lembeck in his first appearance as madman biker, Eric Von Zipper. Dick Dale and The Del Tones supply the music!

Next on the same bill is THE GIRLS ON THE BEACH, (1965, Paramount, 80 min.) directed by William Witney. "The jet action surf-set hits the beaches and captures a love-load of bikini beauties!" The girls from Alpha Beta need to raise a staggering amount of money to save their sorority house, so they plan a beauty contest and other fundraising activities. When three guys appear claiming to know The Beatles, the girls decide a benefit concert with the moptops would be the best bet at saving their sinking fortunes. Little do they know these bragging boys are full of hot air. Who will step in to save the day? Why, The Beach Boys (singing "Little Honda" and "Lonely Sea"), Leslie Gore and the post-Buddy Holly Crickets. Starring Martin West (LORD LOVE-A-DUCK), Noreen Corcoran, Ahna Capri (PAYDAY), Mary Mitchel (SPIDER BABY, DEMENTIA 13), Lana Wood (Natalie's sister) and Dick Miller as a grouchy bartender! NOT ON DVD!

Sunday, August 20, 2006: Aero Theatre: The Sunday, August 20th program is a 7:30 PM Double Feature. First up is KING CREOLE, (1958, Paramount, 116 min.). Director Michael Curtiz (CASABLANCA) directs yet one more of The King's better films. Although the studio and The Colonel toned things down a bit, this adaptation of Harold Robbins' bestseller A Stone For Danny Fisher remains surprisingly good. Young New Orleans punk and high school dropout, Danny (Elvis) quits his busboy job and wrangles his way into performing a song in front of duly-stunned patrons. Before long, he is in demand and being pressured by mobster club owner, Maxie Fields (Walter Matthau) to sign an exclusive contract. Elvis once again receives grand support from such pros as Carolyn Jones ("The Addams Family"), Dolores Hart (his leading lady in LOVING YOU and a future real-life nun!), Dean Jagger, Vic Morrow and Paul Stewart. Songs include the title ditty as well as "Hard Headed Woman," "Trouble" and more! Also showing at the Egyptian Theatre on Saturday, August 12.

Next on the same bill is VIVA LAS VEGAS, (1964, Warner Bros, 84 min.). George Sidney (PAL JOEY, BYE BYE BIRDIE) directs what is certifiably one of Elvis' better middle-period pictures. A great deal of the credit for it's exhilirating verve can also be laid at the feet of fiery leading lady, Ann-Margret, who is more than up to the challenge of going head-to-head with The King. Elvis arrives in Vegas trying to get his car ready for The Las Vegas Grand Prix. In the meantime, he does some courting of his distinctly hard-to-get co-star. Formula and fluff are the order of the day, but whenever these two are together, you don't mind. They are that good as a pair, especially at the knock-out finale where they perform the title tune, Elvis singing and Ann-Margret shimmying for all she's worth. The closest Elvis got to really rockin' in mid-sixties cinema. Elvis also sings Ray Charles' "What'd I Say," "Come On Everybody" and more. Ann-Margret smokes on the smoldering "Appreciation." Also showing at the Egyptian Theatre on Wednesday, August 13.

A complete calendar/flyer listing of these films is available on our website. General Admission is $9. Double Features are two films for one admission price. There is generally a 7 - 10 minute intermission between films. 24-Hour information: 323.466.

FILM TICKET PRICES $9 General; $6 Cinematheque Members. $7 Seniors (65+ years) and students with valid ID card. Must be shown at box office at time of purchase.

THE PROGRAM IS SUBJECT TO CHANGE WITHOUT NOTICE.

American Cinematheque, 6712 Hollywood Blvd., Hollywood, CA  90028
(tel) 323.466-FILM (fax) 323.461.9737  On the web:  http://www.americancinematheque.com

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Act Naturally: Elvis, the Beatles and "rocksploitation"
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"David vs. Goliath": Sid Shaw's legal battle with EPE
Elvis' blackest day on stage
Elvis' musical legacy - 'A Complete Body Of Work
The Best Elvis CDs, Books & DVDs ever released!
Elvis & the Mexican Bracero
Tribute to Charlie Hodge
Elvis That's The Way It Is: 1970 vs. 2001
Elvis' Bad Break!
The amazing story of Jimmy (Orion) Ellis
Graceland 2005
Elvis and Las Vegas
The man who bought Elvis (Robert Sillerman)
Presley Commission Report
Enduring economic power of Elvis
Graceland - the ultimate bachelor pad
Elvis was not a racist!
The Definitive Elvis "blues" album
Elvis on The Creative Edge - Part 2 - The CD
'Elvis Seriously'- Why is Elvis' voice too often ignored
Elvis - symbol of freedom or not?
The importance of being Elvis
Elvis rules on television! (updated August 2005)
Elvis rules on television! (updated May 2005)
How did Elvis die?
 
Interviews
Ernst Jorgensen
John Wilkinson
Andreas Roth (author of "Elvis In Munich")
Elvis Presley In Concert - Aussie Promoter
Jean-Marc Juilland (BMG Audio Restorer)
Rev. Mother Dolores Hart
David Stanley talks to EIN
Charlie Hodge talks to EIN
Kevan Budd (BMG)
Ernst Jorgensen on Elvis' record sales
Billy Smith (Part 2)
Lamar Fike (Part 2)
Marty Lacker (part 2)
Ernst Jorgensen
 
Audio-visual
Elvis Only Radio
Elvis On Tour (Hampton Roads) footage
Elvis On Tour
Graceland cam
Listen to the Elvis "strung out" in Vegas audio
The "Real" Elvis off-stage
Unreleased Elvis audio now online
View EPE Graceland tourism ads
View video of "All Shook Up" opening night on Broadway
"Images In Concert" Photo Database
 
Reference
All about Elvis
All about Elvis tribute artists
All about Lisa Presley
All about Graceland
Contact List
Elvis CDs in 2006
Elvis DVDs 2006
Elvis books 2006-07
Elvis Week 2007
Elvis film guide
Elvis Online Virtual Library
Elvis Presley Research Forum
Elvis vs. The Beatles (index)
Elvis was a racist? (archives)
Elvis Week 2005
Links to Elvis' family & friends
Online Elvis Symposium
Presleys in the Press
Sale of EPE "Archives"
6th Elvis Website Survey
Spotlight on The King
"Wikipedia" Elvis bio
 
 

Quote:

"Elvis Presley is the supreme socio-cultural icon in the history of pop culture"

(Dr. Gary Enders)


Quote:

"Elvis is the 'glue' which holds our society together....which subconciously gives our world meaning"

(Anonymous)


Quote:

"Eventually everybody has to die, except Elvis"

(humorist Dave Barry)


Quote:

"He is the "Big Bang", and the universe he detonated is still expanding, the pieces are still flying"

(Greil Marcus, "Dead Elvis")


Quote:

"I think Elvis Presley will never be solved"

(Nick Tosches)


Quote:

"He was the most popular man that ever walked on this planet since Christ himself was here"

(Carl Perkins)


Quote:

"When I first heard Elvis' voice I just knew I wasn't going to work for anybody...hearing him for the first time was like busting out of jail"

(Bob Dylan)


Quote:

"When we were kids growing up in Liverpool, all we ever wanted was to be Elvis Presley"

(Sir Paul McCartney)


Quote:

"You can't say enough good things about Elvis. He was one of a kind"

(Johnny Cash)


Quote:

"And don't think for one moment he's just a passing fancy....he's got enough of it to keep him on top for a long time"

(R. Fred Arnold, Fury magazine, Aug 1957)


Quote:

"It isn't enough to say that Elvis is kind to his parents, sends money home, and is the same unspoiled kid he was before all the commotion began. That still isn't a free ticket to behave like a sex maniac in public"

(Eddie Condon, Cosmopolitan)


Elvis records reaching #2 & #3 on the Cashbox Pop Singles chart:

#2: A Fool Such As I (1959)

#2: A Big Hunk Of Love (1959)

#3: Hard Headed Woman (1958)

#3: One Night (1958)

#3: (You're The Devil) In Disguise (1963)


Elvis Facts:

Tickets for Elvis' show on March 29, 1957 in St. Louis cost $2.00 to $2.50

While in Germany Elvis was hospitalised with tonsillitis in October 1959

Despite being an illegal immigrant, photographic evidence shows Colonel Tom Parker traveled to Canada with Elvis in 1957

Elvis strongly believed there weren't enough good songs in King Creole to justify releasing a soundtrack album. RCA initially agreed, releasing two very successful EPs from the movie. A soundtrack LP eventually followed

During the 1960s Elvis had his own football team, Elvis Presley Enterprises, which played in the Memphis touch football league. In the 1962 final, EPE narrowly lost to Delta Automatic Transmission, 6-13

In Clambake, (Elvis) Scott Hayward's driving licence shows February 23, 1940...taking 5 years off Elvis' real age

In the 1970s Elvis was offered $5m to stage a concert in front of the Pyramids in Egypt. When the Colonel declined the offer, Saudi billionaires raised the offer to $10m