ELVIS WEEK 2007

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Quote:

"Elvis Presley is the greatest cultural force in the 20th century."

(Leonard Bernstein)


Quote:

"If you're an Elvis fan, no explanation is necessary; If you're not an Elvis fan, no explanation is possible."

(George Klein)


Quote:

"For a dead man, Elvis Presley is awfully noisy."

(Professor Gilbert B. Rodman)


 

Quote:

"Absolute id crashed into absolute superego...as the uptightset man in America shook hands with just about the loosest."

(Mark Feeney on the 'Elvis meets Nixon' meeting)


Quote:

"Elvis is everywhere"

(Mojo Nixon & Skid Roper)


Quote:

"...especially in the South, they talk about Elvis and Jesus in the same breath"

(Michael Ventura, LA Weekly)


Quote:

"The image is one thing and the human being is another...it's very hard to live up to an image"

 

(Elvis Presley, Madison Square Garden press conference, 1972)


Quote:

"Elvis was a major hero of mine. I was actually stupid enough to believe that having the same birthday as him actually meant something"

(David Bowie)


Quote:

"No-one, but no-one, is his equal, or ever will be. He was, and is supreme"

(Mick Jagger)


Quote:

"I wasn't just a fan, I was his brother...there'll never be another like that soul brother"

(Soul legend, James Brown)


Quote:

"Before Elvis there was nothing!"

(John Lennon)


Quote:

"There were rock 'n' roll records before Heartbreak Hotel, but this was the one that didn't just open the door…it literally blasted the door off its rusted, rotten, anachronistic hinges...producing, no propelling, a fundamental, primordial and unstoppable shift in not only musical, but social, political and cultural history"

(JNP, BBC website)


Quote:

"Elvis, the musician, is largely a relic belonging to the baby boomer generation...Elvis, the icon, is arguably one of the most potent symbols of popular culture"

( Dr. John Walker)


Quote:

"It [rock & roll] was always about Elvis; not just because he was Elvis, but because he was the big star"

(Bono from U2)


Quote:

"If they had let me on white radio stations back then, there never would have been an Elvis"

(Little Richard)


Quote:

"Elvis loved opera, and he especially liked Mario Lanza. He would watch The Student Prince which was set in Heidelberg, over and over again. He loved the power of the big voices. And he loved big orchestras. He liked real dramatic things"

(Marty Lacker in 'Elvis and the Memphis Mafia')


Quote:

"If life was fair, Elvis would be alive and all the impersonators would be dead"

(Johnny Carson)


Elvis' #1 Pop Singles on Cashbox, USA:

Heartbreak Hotel (1956)

Don't Be Cruel (1956)

Hound Dog (1956)

Love Me Tender (1956)

Too Much (1957)

All Shook Up (1957)

Teddy Bear (1957)

Jailhouse Rock (1957)

Don't (1958)

Stuck On You (1960)

It's Now Or Never (1960)

Are You Lonesome Tonight? (1960)

Surrender (1961)

Good Luck Charm (1962)

Return To Sender (1962)

In The Ghetto (1969)

Suspicious Minds (1969)

Burning Love (1972)

(The Cashbox chart is now defunct)


Elvis Facts:

Elvis was 5' 11" tall

 

Elvis' natural hair color was dark blond

 

Elvis' blood type was O Positive

 

Elvis' shoe size was 11D

 

One of Elvis'( maternal) ancestors, Morning White Dove (born 1800, died 1835), was a full-blooded Cherokee Indian

 

Elvis' uncle, Noah Presley, became Mayor of East Tupelo on January 7, 1936

 

The Presley family moved to Memphis on November 6, 1948

 

Elvis was issued a Social Security card in September 1950 with the # 409-52-2002

 

In 1954 some of the shows played by Elvis & The Blue Moon Boys were at the Overton Park Shell; the Bel-Air Club; Sleepy-Eyed John's Eagle's Nest Club and the Louisiana Hayride

 

Elvis' first manager was Scotty Moore, then Bob Neal, before signing with Colonel Tom Parker

 

The first DJ to play an Elvis record was Fred Cook (WREC), not Dewey Phillips (WHBQ). However, Dewey had the distinction of being the first DJ to play an Elvis record in its entirety

 

Elvis once dated famous stripper, Tempest Storm

 

Elvis was filmed from the waist up only during his 3rd and final appearance on The Ed Sullivan Show

 

In the 50s Elvis was friendly with rising stars, Natalie Wood, Robert Wagner and Ty (Bronco Lane) Hardin

 

Gladys Presley was 46 years old when she died, not 42, as many books suggest

 

The Roustabout album sold 450,000 copies on its initial release, 150,000 copies more than any of the preceding three soundtrack LPs. It was Elvis' last "soundtrack" album to reach #1 on the major album charts in the US

 

Elvis received $1m for filming Harum Scarum (aka Harum Holiday). The film grossed around $2m in the US

 

Elvis and Priscilla married on May 1, 1967

 

They were officially divorced on October 9, 1973

 

Elvis earns nearly $3.5m in 1968 and pays just over $1.4m in income tax

 

Elvis' return to live performing in Las Vegas on July 31, 1969 was in front of an "by invitation only" audience. Stars in attendance included Wayne Newton, Petula Clark, Shirley Bassey, Burt Bacharach and Angie Dickinson

 

On January 9, 1971, the national Junior Chamber of Commerce (Jaycees) announced Elvis as one of "The Top Ten Young Men of the Year". Elvis spoke at the official awards ceremony on January 16

 

"Elvis: Aloha From Hawai" made entertainment history on January 14, 1973, when it was beamed around the world by satellite. In the Philippines it drew 91% of the audience, in Hong Kong 70%. The viewing audience was estimated at more than 1 billion

 

For his 4 week Hilton Vegas season in August 1973 Elvis received $610,000

Sales of Elvis' 1973 album, Raised On Rock, were less than 200,000 units on its initial release

 

Elvis paid $2,959,000 in income tax in 1973

 

In December 1976 Elvis was sworn in as a special deputy sheriff of Shelby County (Memphis) by Sheriff Gene Barksdale

 

Elvis' final live concert was in Indianapolis on June 26, 1977

When Elvis died, he and his father Vernon, were embroiled in an FBI investigation called Operation Fountain Pen

More than 1,500 books have been published about The King in more than 30 languages

 

At Dec 2005 Elvis' biggest selling album in the US is the budget priced, Elvis' Christmas Album, with accredited sales of 9 million units (fingers crossed it reaches 10 million to give Elvis his first "Diamond" award)

 

By early2006, Sony BMG's "collectors label", Follow That Dream, had released more than 50 Elvis CDs

 

During the 1980s, tour guides at Graceland stated that Elvis' biggest selling album (globally) was Moody Blue, with sales exceeding 14 million

 

While Sony BMG estimates Elvis' global sales exceed 1 billion, the company is unable to substantiate this figure. Accredited sales worldwide are estimated to be less than 400 million

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Elvis vs. The Beatles...

....The Matrix Argument

EIN SPOTLIGHT by Nigel Patterson

 

Prepared by Nigel Patterson (July 2006)

Continuing our controversial series of articles comparing the impact of Elvis and The Beatles, in this article we present a tabular (matrix) comparison of the two musical-cultural icons plus supporting arguments/views. Our examination is based on a review of a cross-section of online and printed material about both artists.

(Reader feedback appears below)

The Matrix:

Elvis
Indicator*
The Beatles

Focus for introduction of youth music

Influenced future solo artists & groups including performance style (eg. Jagger; Jim Morrison)

Contemporary icons pay tribute to Elvis (Bono; McCartney; Jagger; Bowie; K.D. Lang; Robert Plant; Britney Spears; Robbie Williams)

Music (1): Influence

Revolutionised studio recording; innovative; popularised the album format

Influenced countless future solo artists & groups through use of melody tempo & meaningful lyrics

For a time influenced pop music scene to move from dominance of solo artists to dominance by groups

Elvis didn't write his own songs; he was an interpreter of songs
Music (2): Singer-songwriter
Part of the move to dominance of music scene by singer-songwriters
1 billion +
Music (3): Sales**
1 billion +
n/a
Music (4): Rock band structure
Established the 'self-contained' 4 member rock band structure
Deafening screams and riots typified Elvis' primal performance heyday - Presleymania not as well documented as Beatlemania due to (1950s) mass media being in its infancy
Music (5): Mania
Deafening screams of female fans overcome by the group's very appearance - mass media, particularly TV and mass circulation magazines assumed great importance throughout the 1960s
Thousands of Elvis Tribute Artists (ETAs) in more than 20 countries
Music (6): Tribute Artists
Numerous Beatles tribute groups but much smaller in number to ETAs

Popularised colorful, youth orientated & high collared apparel both in 1950s & his jumpsuited 1970s

Influenced fashion style of countless performers from David Bowie to the Jacksons and Osmonds and Englebert Humperdinck

Style (1): Fashion (Clothing)
Popularised Nehru jackets and psychedelic prints
Broke down the barriers to males having long hair - spurred on move away from crew cuts; this has endured
Style (2): Hairstyles
Beatlemop cut a temporary phenomenon
Helped give the youth of the 50s a sense of purpose, confidence and rising influence
Style (3): Attitude***
Solidified the rising sense of purpose, confidence and influence of the youth culture in the 60s
Elvis established the artist as a "brand"; "Bowie", "Madonna" would follow
Brand
n/a

Use of Elvis image widespread in daily society & in newspaper, magazine, TV shows, commercials and film

Sayings such as "Elvis has left the building and "The Elvis of.." are commonplace in both our culture and mass media as are his "food" preferences

Elvis' death commemorated annually with 30,000 - 50,000 fans making the pilgrimage to Graceland & strong media interest

Enduring socio-cultural impact (1)

In 2006, cultural & mass media references to The Beatles no where near as prevalent as for Elvis

Commemoration of John Lennon's death a minor public and media issue

Undoubtedly the replacement of "mom & dad" music culture by "youth music" on the charts in the 1950s & thereafter was largely attributable to Elvis as the foci of rock & roll
Socio-cultural impact (2) - Youth culture
Growth of youth culture often attributed to The Beatles
Elvis has assumed prominence as a religious type identity; numerous books & courses examining Elvis as religious figure
Socio-cultural impact (3) - Religion
n/a

Cellular form discrete from other 'pop" genres of the 1960s such as the "beach" movie

The Elvis film is now the subject of academic investigation with its previously unidentified recurring themes and political intonations

Celluloid

Public: hugely popular at the time but no lasting impact

Celluloid function: innovative, influential films (Steven Spielberg studied Magical Mystery Tour when an aspiring director)

One body
Talent needed to make constituent whole
Four bodies
62.6 million
Google web search (mid July 2006)****
56.9 million
28.9 million
Yahoo web search results(mid July 2006)****
26.9 million

 

* writings on both artists were found to be rhetorical and quite general regarding their ongoing influence/legacy

**neither sales claim is currently verifiable

*** attitude is essentially comprised of 3 elements - what we: do, feel & think

**** both results contain non-subject results (Elvis results affected more due to results for "other Elvises" such as Elvis Costello and Elvis Crespo)


The supporting arguments/views:

Elvis:

Rock and Roll Hall of Fame: Elvis Presley is the undisputed King of Rock and Roll. He rose from humble circumstances to launch the rock and roll revolution with his commanding voice and charismatic stage presence. In the words of the historical marker that stands outside the house where he was born: "Presley's career as a singer and entertainer redefined popular music."

Rock and Roll Hall of Fame: As far as his stature as a cultural icon, which continues to grow even in death, writer Lester Bangs said it best: "I can guarantee you one thing - we will never again agree on anything as we agreed on Elvis."

Leonard Bernstein: "Elvis Presley is the greatest cultural force in the 20th century."

John Lennon: "Before Elvis there was nothing"

John Lennon: "Without Elvis there would not have been The Beatles"

Mick Jagger: "No-one, but no-one, is his equal, or ever will be. He was, and is supreme"

Greil Marcus, rock critic & historian: "He is the "Big Bang", and the universe he detonated is still expanding, the pieces are still flying"

Publishers Weekly: Elvis was "influenced by the products of a national mass culture" until he became one of that culture's greatest icons while creating a sound that wove together various strains of music from Southern whites and blacks


The Beatles:

Rock and Roll Hall of Fame: The impact of the Beatles upon popular music cannot be overstated; they revolutionized the music industry and touched the lives of all who heard them in deep and fundamental ways. Landing on these shores on February 7, 1964, they literally stood the world of pop culture on its head, setting the musical agenda for the remainder of the decade. The Beatles' buoyant melodies, playful personalities and mop-topped charisma were just the tonic needed by a nation left reeling by the senseless assassination of its young president, John F. Kennedy, barely two months earlier. Even adults typically given to scorning rock and roll as worthless "kid's stuff" were forced to concede that there was substance in their music and quick-witted cleverness in their repartee. Without exaggeration, they transfixed and transformed the world as we knew it, ushering in a demographic shift in which youth culture assertively took over from its stodgy Eisenhower-era forbears.

Wikipedia: Although Elvis Presley used the medium of television in the 1950s in America to attract a wider audience (rather than just performing live or being heard on the radio) The Beatles had the advantage of being seen in the USA as well as on British TV in the early sixties, just as the sale of television sets increased dramatically (although only in black & white). Their influence on the medium of TV - and its rising importance - paved the way for presenters of programmes to utilise their fame, and performers/actors to include references to The Beatles in their own writing.

Tony Copple, Beatles historian: Not only did the Beatles reflect their times by being ahead of their time, but also they influenced a generation of people who were in their impressionable years in the sixties. They showed a form of unconscious leadership, by debunking stuffy class-related attitudes and replacing them by a delightful irreverence and spontaneity that for the most part has not dated.

Tony Copple, Beatles historian: We can now identify changes in behaviour, attitudes, and performance on record, stage and film which were pioneered by the group. We tend to forget now, but if those of you who were around then think back to each new album, new film, new tour, they all introduced concepts that had not previously been tried. For example, the Shea Stadium concert in 1965 was the first* music event in a sports arena. Innovation came naturally to the Beatles and they had the guts and the stature to be different, every time.

* Not true. Elvis played several sports stadiums in the 1950s including the Empire Stadium in Vancouver on 31 August 1957


Verdict: The Beatles 'ongoing' impact is largely musical. Certainly they influenced clothing and hairstyles in the 1960s but there is no apparent legacy in this regard today. They had the advantage of being at the center of a highly popular mass media which recorded their undoubted greatness.

Comparatively, Elvis' ongoing legacy traverses musical, style and socio-cultural boundaries. His music "opened the doors" to both a musical revolution and youth culture, facilitating The Beatles. His style (clothing, hairstyle & performance style) continues to influence today. The regular reference to Elvis in contemporary culture and the continuing popularity of a large number of ETAs symbolises Elvis' lasting impact. Had the mass media been as evolved as it was in the mid 1960s, there would be a much greater recognised and accessible record of the Elvis phenomenon in the incredible days of Elvis/Presleymania.

The fact that both artists are the subject of major productions by Cirque du Soleil (itself a phenomenon), speaks reams for at least their musical importance in contemporary society.

Click to comment on this article



Breaking down Presley and Beatlemania:

In a very stimulating commentary, likethebike presents his case for Presleymania and Beatlemania.

EIN recommends this very thoughtful and cogent commentary to all readers.

With themes including sexual tension, civil rights, backlash by society's cultural arbiters, r&b integration and realising the American dream.......this is a powerful exposition!



John Lennon And Elvis: It was "Thirty Years Ago Today" - On December 8th 1980 John Lennon was shot dead outside his New York apartment. In commemoration, LA Times music critic Robert Hilburn remembers discussions with John Lennon about life and Elvis...
>> In mid 1980 John Lennon raced into Yoko Ono's home office in the mammoth old Dakota building with a copy of Donna Summer's new single, "The Wanderer." "Listen!" Lennon shouted as he put the 45rpm on the record player. "She's doing Elvis!" I didn't know what he was talking about at first. The arrangement felt more like rock than the singer's usual electro-disco approach, but the opening vocal sure sounded like Donna Summer to me. Midway through the song, however, her voice shifted into the playful, hiccuping style Elvis had used on so many of his early recordings.
"See! See!" John shouted, pointing at the speakers "That's Elvis!"
Lennon plugged in one of his prized possessions a vintage jukebox. He then punched one Elvis Presley record after another and bopped around playfully.
Lennon ended up spending so much time talking about Elvis and other favorites from the 1950s that I was afraid we weren't going to get to the Beatles and his solo career.
As Elvis sang "Don't Be Cruel" in the background, John recalled his first and only meeting with our mutual rock hero. It was a story he relished sharing as much as he did his Beatles memories.
"It was probably 1965 and we had a break in L.A. during a tour. We went up to his house and we were terrified. I can't remember the first moment I saw him, but Elvis looked great. We started singing some of his songs. That's what we always did when we met Chuck Berry or Carl Perkins or any of them."
I asked if Elvis had known how big the Beatles were and if he had felt any hint of competition.
"Are you kidding?" John replied with a laugh. "Elvis knew damn well who we were -- from the word 'go.' He was terrified of us and the English movement because we were a possible threat to him. To us, Elvis was a god. We'd like to beat his record and become the champion, but we would always give Elvis credit. It always hurts and infuriates me when Mick Jagger puts Elvis down. Maybe he's jealous because Elvis was the original body man in rock and it's too near to Mick's game for him to admit that Elvis' movements were at least as good as his and that maybe Elvis could sing a damn sight better than he could."
We had such a good time over the three days that Lennon invited me to his and Sean's birthday party. I knew what the perfect birthday present for John was. I had mentioned in the studio that there was a great new Elvis photo book by Alfred Wertheimer, who had spent a couple of weeks with Elvis around the time of "Hound Dog" in 1956. John hadn't seen it.
I didn't want to bother John, so I left the book with the doorman.
Two months later Lennon was dead."

Go here for more Elvis MEETS The Beatles
(News, Source;ElvisInfoNetwork - October 2010)

Read EIN's set of articles on "Elvis' record sales" and "Elvis vs. The Beatles":

John Lennon And Elvis: It was "Thirty Years Ago Today" - On December 8th 1980 John Lennon was shot dead outside his New York apartment. In commemoration, LA Times music critic Robert Hilburn remembers discussions with John Lennon about life and Elvis...


John Lennon And Elvis - 2010 - On December 8th 1980 John Lennon was shot dead outside his New York apartment. Robert Hilburn remembers discussions with John Lennon about life and Elvis...

'Elvis Meets The Beatles' 2010

Larry Geller talks about Elvis and The Beatles meet-up in 1965

Elvis artefact on display in Liverpool Beatles Exhibition 2010: 

Breaking down Presley and Beatlemania (2007)

Why can't Elvis compete...against the Beatles and Garth Brooks? (2007)

Ernst & Roger's persuasive argument for Elvis

Controversial university study incenses Elvis fans (published 2006)

Elvis vs. The Beatles - The Matrix Argument (2006)

Paul McCartney talks about Heartbreak Hotel (2005)

Was there anything before Elvis? (2005)

Elvis vs. The Beatles - Nigel eats humble pie (2004)

Elvis vs The Beatles (Part 1) (2004)

World Title Fight - Elvis vs. The Beatles (2002)

Elvis or Beatles?

Elvis Lacks Credibility


Feedback

Colin B (UK): That made an interesting read.

Looking at their respective achievements side-by-side like that, it's so obvious that Elvis was the more important.

Pity we don't have any fervent Beatles fans or experts on here to put their case [choke].


Denman (Holland): Interesting.


Anfield: Nice article.


Bryan Stuart (USA): Good article!


Sharon: I think this is a reall well thought out article - but just one point - when it says the Beatles created the 4 peice band - this always irritates me in a way - because Elvis, Scotty, Bill and DJ were in essence a 4 peice band at the beginning but have never been given due credit for it.


Mark Holliday (USA): Excellent article...great points on both sides. Thanks for the link and the post.


Ian Anderson: That was a great read,thank's a lot!


Mr Majestyk: Quite a good piece and interesting into the bargain, but that's only two sides to the pop music coin i.e. there were artists before Elvis that sang to a youth audience, the album was gaining popularity before The Beatles came on the scene, some of which (pre-Beatles) remain the most successfull albums ever chart-wise despite a smaller chart.

The death of John Lennon wasn't as marked as Elvis' death, but to me it's the Elvis caricature that dominates on august 16th, not the artist - maybe Lennon fans (myself included) should be thankful that the cirus that is Graceland has no Beatles equivalent, although some Lennon?Beatles fans are guilty of needing to get a life as some Elvis fans. But just for reference, how many Lennon/Beatles and casual music fans see the tribute to John Lennon in New York's Central Park each year? More than the amount that visitys Graceland? I'll bet.

"Elvis broke down the barriers to males having long hair" Dean, Brando and Tony Curtis had similar hairstyles before Elvis made it big, their hairstyles influenced Elvis. Elvis established the artist as a brand - in what way? Were no singers before Elvis "branded" in a similar way?

Cultural references to Elvis are a-plenty, but The Beatles are no less culturally prevailant, but again, more so for their music, not the caricature, as in Elvis' case.

The replacement of "Mom and Dad" music on the chart was mostly attributed to Elvis - yes, in some ways, in some ways not, becaus plenty of pre-rock and non-rock acts charted extremely well during rock 'n' roll's golden years.

"Elvis has assumed prominance as a religious type identity" It's this kind of worshipping by fans who are basically zealots that has given Elvis a lot of bad press. Elvis' films undegoing an academic investigation---doesn't take a genius to pick out any social commentaries in Elvis' films or note recurring themes, considering how poorly made most of them were. Elvis never acted in a masterpiece or made a genuine classic, and despite The Beatles making less films, there are probably more influential and have had a lasting appeal despite being products of their time. Re-releases have done well up until this decade for Beatles films.


Joe Walsh (Ireland): To be honest I have no time for the beatles, or manufactured pop in general, whether it be the everly brothers, the beatles, or westlife.

If you love the beatles don't read the rest of my post......

At a quick glance:

beatles have not sold over 1 billion, no official claim has been made to that affect. It is pure fantasy. The claim is that they have sold 1 billiuon single equivalents. It is just a "make up" statistic.

This "part of the move to singer songwriters" is rubbish. There have always been singer song writers, millions of them.

"Growth of yoputh culture attributed to the beatles". Total rubbish. There has been youth culture since Adam was a boy, except then they didn't use condoms. beatles were not part of the 60's revolutionary youth culture, in fact they were the opposite. They were initialy promoted by parents, teachers, media etc. as they were the opposite of what was happening in popular music. They had a younger audience, including pre-teens, until the late 60's. They were part of the establishment and only got on the "left wing caring for fellow man" band wagon as they grew older. Remember there primary reason for moving from the UK to the US was because of the lower income tax, and the expectation that taxes might increase in the UK. No great social conscience there.

The comparison fails to mention that Elvis brought Mega Stardom to a new level, that Elvis has more fan clubs than any other artist.


Marilyn Jones (UK): I enjoyed your article.


Peter Barnes: I like both Elvis and the Beatles. I don't think you can compare a solo artist with a group.


RonnieElvs@aol.com: Good  web site. Time for people to stop saying one is better than the  other.  Both were great. Music has not seen anything like them since. And may not ever again. Rap is not music. It's for those who can't sing.

HowardBrent: I wouldn’t say that I was a fan of The Beatles in the conventional sense of the word, although I do have 6 or 7 of their albums.

However, there does seem to be this certain stigma about criticising their later work and their films. If you actually watch their films, they were no better or worse than any of EP’s mid-60s output in terms of plot/acting. Their only saving grace was the quality of the music; whereas EP’s films in the 60s were almost completely void of any decent songs.

As for being a ‘manufactured’ band, there’s no denying they were told to ‘clean up’ their image – to get away from the rock n roll, leather jacketed look and get suited and booted, so that they would appeal to all and sundry. That said, there’s no denying the immense talent of the band.

The Beatles were, and will always be, the greatest band in the world, regardless of whether you like them or not. To deny them this, would be just as bad as denying Elvis the status of being the greatest, most influential solo artist we have seen or are ever likely to see.


John Shutts: Elvis was 1, Beatles needed 4. Nothing more needs saying.


bestseller92: It's not a competition. They were both great. Enjoy.
 
Tom Finemore: Elvis was a true original.  The Beatles followed.
 
MrMajestyk: The Beatles films were markedly different from what Elvis offered, they weren't actors and didn't try to be, but the format of their films was something that has been copied from The Monkees to
The Spice Girls. Elvis tried to be a leading man but didn't have the acting chops, when the mould was set
with Blue Hawaii any real attempts at putting Elvis in a film that had a decent plot was all but gone because he had a limited appeal as an actor and the studios pandered to that.

Howard said "whereas EP’s films in the 60s were almost completely void of any decent songs." Most of Elvis' films from the 1960s were completely void FULL STOP. They have taken on a camp status because most of them dated so badly, The Beatles films were better produced and had more appeal as works of art, films that had some wit and great music to boot. Anything good that Elvis done is lost among the kitsch dross that he made and that's a sodding shame because a couple of his films were good. As per usual it was too much of the same thing for Elvis and that blighted his career. But it's all relevant.

  
KerryMills: These types of arguements are always ridiculous. It is apples vs. oranges. The Beatles were a rock band, Elvis was much more than rock and roll. Elvis influenced the Beatles and they influenced all who followed (indirectly linking Elvis). Elvis has a direct line of influence to many after the Beatles, including Country and Rock performers. The Beatles also have influence over Country artisits, at least contemporary country artisits.

This is an endless debate. Give credit where it is due, Elvis changed the world, and so did the Beatles. They are both at a level never seen before. I prefer Elvis, but love the Beatles also, but to deny the Beatles as not only popular but artistically great is crazy.


 

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The King has rebel roots
Elvis in Tucson
Elvis helps bring peace to Afghanistan
Elvis & Tupelo
Act Naturally: Elvis, the Beatles and "rocksploitation"
Is Elvis alive?: Major investigation identifies flaw in 'Elvis DNA findings'
"David vs. Goliath": Sid Shaw's legal battle with EPE
Elvis' blackest day on stage
Elvis' musical legacy - 'A Complete Body Of Work
The Best Elvis CDs, Books & DVDs ever released!
Elvis & the Mexican Bracero
Tribute to Charlie Hodge
Elvis That's The Way It Is: 1970 vs. 2001
Elvis' Bad Break!
The amazing story of Jimmy (Orion) Ellis
Graceland 2005
Elvis and Las Vegas
The man who bought Elvis (Robert Sillerman)
Presley Commission Report
Enduring economic power of Elvis
Graceland - the ultimate bachelor pad
Elvis was not a racist!
The Definitive Elvis "blues" album
Elvis on The Creative Edge - Part 2 - The CD
'Elvis Seriously'- Why is Elvis' voice too often ignored
Elvis - symbol of freedom or not?
The importance of being Elvis
Elvis rules on television! (updated August 2005)
Elvis rules on television! (updated May 2005)
How did Elvis die?
 
Interviews
Ernst Jorgensen
John Wilkinson
Andreas Roth (author of "Elvis In Munich")
Elvis Presley In Concert - Aussie Promoter
Jean-Marc Juilland (BMG Audio Restorer)
Rev. Mother Dolores Hart
David Stanley talks to EIN
Charlie Hodge talks to EIN
Kevan Budd (BMG)
Ernst Jorgensen on Elvis' record sales
Billy Smith (Part 2)
Lamar Fike (Part 2)
Marty Lacker (part 2)
Ernst Jorgensen
 
Audio-visual
Elvis Only Radio
Elvis On Tour (Hampton Roads) footage
Elvis On Tour
Graceland cam
Listen to the Elvis "strung out" in Vegas audio
The "Real" Elvis off-stage
Unreleased Elvis audio now online
View EPE Graceland tourism ads
View video of "All Shook Up" opening night on Broadway
"Images In Concert" Photo Database
 
Reference
All about Elvis
All about Elvis tribute artists
All about Lisa Presley
All about Graceland
Contact List
Elvis CDs in 2006
Elvis DVDs 2006
Elvis books 2005-07
Elvis Week 2007
Elvis film guide
Elvis Online Virtual Library
Elvis Presley Research Forum
Elvis was a racist? (archives)
Elvis Week 2005
Links to Elvis' family & friends
Online Elvis Symposium
Presleys in the Press
Sale of EPE "Archives"
6th Elvis Website Survey
Spotlight on The King
"Wikipedia" Elvis bio
 
 

Quote:

"Elvis Presley is the supreme socio-cultural icon in the history of pop culture"

(Dr. Gary Enders)


Quote:

"Elvis is the 'glue' which holds our society together....which subconciously gives our world meaning"

(Anonymous)


Quote:

"Eventually everybody has to die, except Elvis"

(humorist Dave Barry)


Quote:

"He is the "Big Bang", and the universe he detonated is still expanding, the pieces are still flying"

(Greil Marcus, "Dead Elvis")


Quote:

"I think Elvis Presley will never be solved"

(Nick Tosches)


Quote:

"He was the most popular man that ever walked on this planet since Christ himself was here"

(Carl Perkins)


Quote:

"When I first heard Elvis' voice I just knew I wasn't going to work for anybody...hearing him for the first time was like busting out of jail"

(Bob Dylan)


Quote:

"When we were kids growing up in Liverpool, all we ever wanted was to be Elvis Presley"

(Sir Paul McCartney)


Quote:

"You can't say enough good things about Elvis. He was one of a kind"

(Johnny Cash)


Quote:

"And don't think for one moment he's just a passing fancy....he's got enough of it to keep him on top for a long time"

(R. Fred Arnold, Fury magazine, Aug 1957)


Quote:

"It isn't enough to say that Elvis is kind to his parents, sends money home, and is the same unspoiled kid he was before all the commotion began. That still isn't a free ticket to behave like a sex maniac in public"

(Eddie Condon, Cosmopolitan)


Elvis records reaching #2 & #3 on the Cashbox Pop Singles chart:

#2: A Fool Such As I (1959)

#2: A Big Hunk Of Love (1959)

#3: Hard Headed Woman (1958)

#3: One Night (1958)

#3: (You're The Devil) In Disguise (1963)


Elvis Facts:

Tickets for Elvis' show on March 29, 1957 in St. Louis cost $2.00 to $2.50

While in Germany Elvis was hospitalised with tonsillitis in October 1959

Despite being an illegal immigrant, photographic evidence shows Colonel Tom Parker traveled to Canada with Elvis in 1957

Elvis strongly believed there weren't enough good songs in King Creole to justify releasing a soundtrack album. RCA initially agreed, releasing two very successful EPs from the movie. A soundtrack LP eventually followed

During the 1960s Elvis had his own football team, Elvis Presley Enterprises, which played in the Memphis touch football league. In the 1962 final, EPE narrowly lost to Delta Automatic Transmission, 6-13

In Clambake, (Elvis) Scott Hayward's driving licence shows February 23, 1940...taking 5 years off Elvis' real age

In the 1970s Elvis was offered $5m to stage a concert in front of the Pyramids in Egypt. When the Colonel declined the offer, Saudi billionaires raised the offer to $10m