Elvis
sideman a friend worthy of the King
Doc
Lawrence, Special to East Memphis Appeal, January 30, 2005
Recently,
I traveled north of Atlanta to visit my dear friend, Hugh
Jarrett. Beyond being a great human, Hugh is living history,
one of the last real contacts with Elvis. Hugh, as a member
of the legendary Jordanaires, Elvis's phenomenal background
singers and to this day the finest assemblage of male voices
I've heard in popular music, performed live with the King
throughout America almost from the beginning.
His
relationship with his legacy remains as strong as a non-family
member could have. Billboard magazine measured the top 100
selling records in history. Elvis had nine and Hugh is on
six of those. Hugh was in movies with Elvis, on the stages
of Vegas, the "Ed Sullivan Show," "Steve Allen" and the historic
RCA recording sessions in New York and Los Angeles that transformed
popular music on every continent to this day. I didn't visit
Hugh because of Elvis, although that was what originally brought
us together when I did a feature on him in 1999.
It
remains as my favorite piece and I am proud that it was at
least one reason this wonderful man with the gorgeous bass
voice was inducted into the Georgia Music Hall of Fame last
September. That was after his induction into others. "We had
fun, worked very hard and maybe did something no one else
has done," Jarrett told me. Modest to a fault, I have to pry
memories from him. But I knew a few year's back that his relationship
to Elvis survived fame, fortune and death when he told me
that he emceed the big Elvis celebration in Memphis in 1997.
His
walls are covered with photographs from movies, stages everywhere,
singing with the King, who more often than not was sitting
at a nearby piano playing gospel songs and singing along with
the Jordanaires during breaks from filming. It is an incredibly
moving experience to be in this environment with a man who
was smack dab in the middle of a force that shook me and the
whole world.
For
a few hours, I was away from a world of tragedy, war and natural
disaster. I returned to my childhood in Atlanta when on two
occasions, one at the historic Fox Theater, I saw the King.
My son Stephen was with me, a musician himself and a young
man with an admirably open mind. He was as fascinated as I
was and asked as many questions. Hugh Jarrett loves to answer
questions almost as much as we loved asking them. Did the
police in some cities really get upset with Elvis's dancing
on the stage, we inquired.
"He
never did anything wrong! That was silly. He was having fun,
the kids loved him and boy, could he dance," replied Jarrett,
almost outraged. It was like the King was in the room with
us. Rev. Howard Finster, the immortal folk artist buried not
too far from Jarrett's North Georgia home, painted Elvis over
the years and I have one of Elvis as a farm boy with coveralls,
a straw hat and angel wings.
Finster
never had visions of Elvis in any other form and told me during
a conversation on his porch that while Elvis was dead, his
soul hadn't come completely to rest. He said Elvis hadn't
finished God's mission. All this came to mind while talking
and laughing with Hugh Jarrett. My
best trip last year for feature writing was the great visit
to Memphis.
(Spotlight/Article,
Source: East Memphis Appeal)
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